The red rose, a symbol of unrelenting love is juxtaposed here against a deep dark void. These branded motifs are not created as an homage, but instead a social commentary. We ourselves seem to be drowning in a society that is dominated by a reverence towards the new religion of media, flocking to the church of brand and celebrity.
‘McDonalds’ dated 2010.
Edition of 10 prints sized at 16 x 20 inches / 40.6 x 50.8 cms. + II artist proofs.
Printed on Fuji crystal archive paper, unmounted & unframed.
Provenance: exhibition 'All Icons Are False' 2017. D Contemporary, London. Sold direct from the artists studio, encrypted NFC authentication tag with signature biometrics recorded in Catalogue Raisonné.
Edition No 2 of 10.
GBP £1,800. Delivery instructions taken once sale is complete.
The red rose, a symbol of unrelenting love is juxtaposed here against a deep dark void. These branded motifs are not created as an homage, but instead a social commentary. We ourselves seem to be drowning in a society that is dominated by a reverence towards the new religion of media, flocking to the church of brand and celebrity.
‘Elipse’ dated 2009.
Edition of 10 prints sized at 47.2 x 35.4 inches / 120 x 90 cms. + II artist proofs.
Printed on Fuji crystal archive paper, unmounted & unframed.
Provenance: exhibition 'All Icons Are False' 2017. D Contemporary, London. Sold direct from the artists studio, encrypted NFC authentication tag with signature biometrics recorded in Catalogue Raisonné.
Edition No 2 of 10.
GBP £8,500. Delivery instructions taken once sale is complete.
The red rose, a symbol of unrelenting love is juxtaposed here against a deep dark void. These branded motifs are not created as an homage, but instead a social commentary. We ourselves seem to be drowning in a society that is dominated by a reverence towards the new religion of media, flocking to the church of brand and celebrity.
‘Yves Saint Laurent’ dated 2010.
Edition of 10 prints sized at 23.6 x 35.4 inches / 60 x 90 cms. + II artist proofs.
Printed on Fuji crystal archive paper, unmounted & unframed.
Provenance: exhibition 'All Icons Are False' 2017. D Contemporary, London. Sold direct from the artists studio, encrypted NFC authentication tag with signature biometrics recorded in Catalogue Raisonné.
Edition No 2 of 10.
GBP £2,750. Delivery instructions taken once sale is complete.
The red rose, a symbol of unrelenting love is juxtaposed here against a deep dark void. These branded motifs are not created as an homage, but instead a social commentary. We ourselves seem to be drowning in a society that is dominated by a reverence towards the new religion of media, flocking to the church of brand and celebrity.
‘Crucifix’ dated 2010.
Edition of 10 prints sized at 16 x 20 inches / 40.6 x 50.8 cms. + II artist proofs.
Printed on Fuji crystal archive paper, unmounted & unframed.
Provenance: exhibition 'All Icons Are False' 2017. D Contemporary, London. Sold direct from the artists studio, encrypted NFC authentication tag with signature biometrics recorded in Catalogue Raisonné.
Edition No 2 of 10.
GBP £1,800. Delivery instructions taken once sale is complete.
The red rose, a symbol of unrelenting love is juxtaposed here against a deep dark void. These branded motifs are not created as an homage, but instead a social commentary. We ourselves seem to be drowning in a society that is dominated by a reverence towards the new religion of media, flocking to the church of brand and celebrity.
‘Star of David’ dated 2010.
Edition of 10 prints sized at 20 x 20 inches / 50.8 x 50.8 cms. + II artist proofs.
Printed on Fuji crystal archive paper, unmounted & unframed.
Provenance: exhibition 'All Icons Are False' 2017. D Contemporary, London. Sold direct from the artists studio, encrypted NFC authentication tag with signature biometrics recorded in Catalogue Raisonné.
Edition No 2 of 10.
GBP £1,900. Delivery instructions taken once sale is complete.
The red rose, a symbol of unrelenting love is juxtaposed here against a deep dark void. These branded motifs are not created as an homage, but instead a social commentary. We ourselves seem to be drowning in a society that is dominated by a reverence towards the new religion of media, flocking to the church of brand and celebrity.
‘Star & Crescent’ dated 2010.
Edition of 10 prints sized at 20 x 20 inches / 50.8 x 50.8 cms. + II artist proofs.
Printed on Fuji crystal archive paper, unmounted & unframed.
Provenance: exhibition 'All Icons Are False' 2017. D Contemporary, London. Sold direct from the artists studio, encrypted NFC authentication tag with signature biometrics recorded in Catalogue Raisonné.
Edition No 2 of 10.
GBP £1,900. Delivery instructions taken once sale is complete.
The red rose, a symbol of unrelenting love is juxtaposed here against a deep dark void. These branded motifs are not created as an homage, but instead a social commentary. We ourselves seem to be drowning in a society that is dominated by a reverence towards the new religion of media, flocking to the church of brand and celebrity.
