Floral Vanitas Drop - 100 Unique Prints

Floral Vanitas Drop - 100 Unique Prints

#008000
Precio habitual €90,00 EUR
Precio habitual Precio de oferta €90,00 EUR
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The images seen here are just a selection from the 100 prints, each order will be selected from the collection at random, this way the ordered artwork will will arrive as a lovely surprise for you to open.

Drop Window:  This drop remains open until the full collection of 100 prints sells out. Once all prints are claimed, the collection closes permanently. Each photographic print is ordered either in small – 11.8″ × 16.5″ (30 × 42 cm) or large – 23.6″ × 16.5″ (60 × 42 cm). 

Provenance: Each archival print is on 330 gsm conservation bamboo paper using museum-grade pigment archival inks, signed with a full signature and dated by the artist recto.

Shipping:  Included is a 50% discount on shipping, delivered to you for just €8.00. Global delivery can take up to 2 weeks, so please be patient.

Mounting & Framing:  To keep this Vanitas Drop accessible, all prints are delivered without our usual UV varnish. For lasting durability & protection, we recommend selecting the hand varnish option, when applied, this museum grade UV finish allows the print to be framed without glass, the print can be wiped down with a soft damp microfibre cloth. NB. the prints do not come varnished as standard.

In all instances we recommend dry-mounting to Dibond. If you are not selecting the UV varnish finish, please always frame behind museum-grade glazing such as Art Glass or equivalent that blocks 97 % + UV. As with all photography please do not expose to direct or reflected sunlight.

Handle the unframed print with clean cotton gloves on a large clean and perfectly flat table. We recommend you unroll the print at your selected framers to avoid any unnecessary kinks happening to the print. Unmounted and unframed the print is very delicate, so please handle with great care.

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‘ Hamilton moves beyond the falsity of icons to propose the need for a spiritual renaissance with nature. ’ Critical text for 'All icons are false' by curator Paul Carey-Kent. 

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