from a winter studio in the forests of Siberia one artist makes work by freezing oil and water together

Outside of the studio, an important part of my process is to relocate to the most naturally suited location that each body of work needs. Bringing only minimal equipment and sourcing all the raw materials directly from the landscape. This allows the environment itself to directly infuse the works, resulting in extraordinary process based collaborations.

In late 2014 at the start of a harsh winter I relocated to a remote studio deep in the forests of Siberia on the Kama river. I did this in order to work alone on a new body of work that focused on two fundamental Siberian resources that occur here in vast quantities.

The project was called 'Oil + Water'.

The series depends on a process called 'enthaply of fusion' that is in itself very difficult to replicate outside of laboratory conditions, and by the time I had started to master the process out in the field my time in fact was up and spring had arrived. Six years later I have returned to complete the work that I started, indeed I am writing these very words whilst moving across the vast Russian landscape on the Trans Siberian Express train towards my final destination. I must confess that this is a time much anticipated as I have remained keen to pursue the series from the very moment I was forced to stop work back in spring 2015.

Siberia is one of the few places on the planet where crude oil is able to partially solidify into a molasses like ‘semi-solid’ form, it does this naturally at temperatures below -40 degrees. In 2014 I began creating physical objects from solidifying crude oil such as spheres and elliptical shapes which moved to more complex forms like a crown of thorns, from there I would encase them inside a block of frozen river water forming a large ossuary around them. In the right conditions the tomb of ice freezes inwards creating a liquid centre that is trying to expand as it cools, but with nowhere for the expansion to go a process called ‘enthalpy of fusion’ is enabled as ever increasing pressures occur within the centre of the block. This creates gas bubbles, cracks and fissures inside its icy heart, waxy secretions burst out from the pressurised oil as its organic compounds struggle to freeze under the intense pressure created.

Oil shall form a natural alliance with its perceived opposite, water; pure and impure shall be intervened with and shaped into a co-existence within the same form making one indistinguishable from the other in their alliance. There are also metaphorical references for this location; Russian people are becoming ever more isolated with the current political dialogue and mass media stereotyping seen in the west; The borders are down but the barriers are up. This work is intended to represent human natures seeming inability to evolve beyond nationalism; we should be able to co-exist & mix seamlessly as an advanced civilisation. Instead we are unable to move beyond a point where one culture is accepted or even understood by the other, despite sharing this planet together.

I shall again be working from a field studio hidden deep in the forest until spring returns in March 2022, working alone as before but this time I come prepared with 6 years of careful consideration of what passed before.

download the Press Release January 2022.

Alexander James

2015. ‘Archytas’

Unique C-Type print 120 x 90 cms mounted to polished aluminium, signed and dated reverso

framed in solid cold forged brass rails

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Alexander James

2015. ‘Spawn’

Unique C-Type print 60 x 60 cms mounted to polished aluminium, signed and dated reverso

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Alexander James

2015. ‘Resist’

Unique C-Type print 60 x 60 cms mounted to polished aluminium, signed and dated reverso

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Alexander James

2015. ‘Claymore’

Unique C-Type print 60 x 60 cms mounted to polished aluminium, signed and dated reverso

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Alexander James

2015. ‘Intervene’

Unique C-Type print 60 x 60 cms mounted to polished aluminium, signed and dated reverso

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Alexander James

2015. ‘Spawn Preparation’

Unique C-Type print 60 x 60 cms mounted to polished aluminium, signed and dated reverso

framed in solid cold forged brass rails

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Alexander James

2015. ‘Intervene II’

Unique C-Type print 60 x 60 cms mounted to polished aluminium, signed and dated reverso

framed in solid cold forged brass rails

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Alexander James

2015. ‘Ossuary’

Unique C-Type print 60 x 60 cms mounted to polished aluminium, signed and dated reverso

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Alexander James

2015. ‘Intervene III’

Unique C-Type print 60 x 60 cms mounted to polished aluminium, signed and dated reverso

framed in solid cold forged brass rails

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Alexander James

2015. ‘Intervene IV’

enthalpy of fusion of a substance resulting from providing energy, typically heat or pressure to change its state from a solid to a liquid to a gas at constant pressure

Unique C-Type print 60 x 60 cms mounted to polished aluminium, signed and dated reverso

framed in solid cold forged brass rails

+ II artist proofs ( each a differing size & execution )

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Alexander James

2015. ‘Birthing Place’

Unique C-Type print 60 x 60 cms mounted to polished aluminium, signed and dated reverso

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Alexander James

2015. ‘Fracture’

Unique C-Type print 60 x 60 cms mounted to polished aluminium, signed and dated reverso

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Alexander James

2015. ‘Dark Matter’

Unique C-Type print 120 x 90 cms mounted to polished aluminium, signed and dated reverso

framed in solid cold forged brass rails SOLD

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Alexander James

2015. ‘Galaxy’

Unique C-Type print 200 x 150 cms mounted to polished aluminium, signed and dated reverso

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Alexander James

2015. ‘Constellation’

Unique C-Type print 200 x 150 cms mounted to polished aluminium, signed and dated reverso

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Unique print - SOLD

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Alexander James

2015. ‘Eudoxus of Cnidus’

Unique C-Type print 200 x 150 cms mounted to polished aluminium, signed and dated reverso

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Alexander James

2015. ‘Ptolemy’

Unique C-Type print 60 x 60 cms mounted to polished aluminium, signed and dated reverso - SOLD

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Alexander James

2015. ‘Murakami’

Unique C-Type print 60 x 60 cms mounted to polished aluminium, signed and dated reverso

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Alexander James

2015. ‘OSSUARY II’

Unique C-Type print 120 x 90 cms mounted to polished aluminium, signed and dated reverso

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Alexander James

2015. ‘Plateau’

Unique C-Type print 120 x 90 cms mounted to polished aluminium, signed and dated reverso

framed in solid cold forged brass rails

+ II artist proofs ( each a differing size & execution )

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Alexander James

2015. ‘Shuttle’

Unique C-Type print 120 x 90 cms mounted to polished aluminium, signed and dated reverso

framed in solid cold forged brass rails

+ II artist proofs ( each a differing size & execution )

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