'Prosperity' underwater Vanitas
Edition III - 47.2 x 35.4 inches / 120 x 90 cms - Edition of 10.
Edition No I of 10. Artist framed in double cedar wood, carbon black & Shou Sugi Ban shellac finish
provenance - sold direct from the artists studio
02/2018 Book published Vernon 'Animae' ISBN 978-1-62273-384-2
09/2017 'Contemporary Still Life' Guildhall Museum, London
10/2013 Book Thames & Hudson 'Natre Morte' ISBN10 0500239061
10/2011 'The House Of The Nobleman', London. 06/2011 ‘Still Even’ Pertwee Anderson & Gold Gallery, London
exhibitted 2012 at ‘A beautiful announcement of death’, Pertwee Anderson & Gold Gallery, London
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'The Rethinker' dated 2020
Edition No. I of VII.
Solid bronze sculpture. Weight +/- 9,280 grammes - h 27cms x w 17 cms.
Narmarkoina black marble, Guangzhou, China +/- 2,300 grammes
artist notes... What would the artist Auguste Rodin or indeed his model posing in 'The Thinker' be contemplating if it were made today, and not in its orginal 1902 form. The world has changed so dramatically since then, most notable the polluted oceans, rivers and land fill sites filled with single use packaging.
You can see how the piece was made in a journal entry here.
Fabricated in the exact same Carbon Neutral way as at the Makers Place recycling studio I setup in the Maldives.
enquire about further editions of this work here.
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security image of signature, notes & date on sculpture base.
close up of image of initialled NFC TAG on sculpture base.
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Heratculus vintage print (dated 2014) mounted in 2021 to gesso board
print & mount size 22 x 29.5 x 3cms (8 3/4 x 11 1/2 inches)
in Japanese burn preserved 'Shou Sugi Ban' chemical free Ceder frame
axe harvested & 'air' kiln dried Cedar wood - no carbon footprint.
32 x 39.5 x 3cms (12 1/2 x 15 1/2 inches) in the frame
finished in shellac. initialled, dated & annotation verso in ink.
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security image of signature, notes & date verso
security image of initialled NFC TAG on provenance document
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‘Aberration No I’ dated 2014
from 'Transparency of a dream' 2013-2016
Unique chromogenic Fuji crystal archive matt paper, mounted to aluminium DiBond
artist notes... Two generations of butterflies documented underwater on analogue 8x10 inch film plate; shot on Sinar 8 * 10 inch camera with Rodenstock 360mm lens.
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security image of signature, on NFC TAG.
image of initialled NFC TAG on provenance document.
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Splash Crucifixion No. II
Edition No II of III.
40 x 30 cms chromogenic print
'snug' frame in American walnut
provenance - direct from the artists studio
exhibitted 2012 at ‘A beautiful announcement of death’, Pertwee Anderson & Gold Gallery, London.
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security image of signature, notes & date on provenance document
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Aberration No I
Unique Print
60 x 60 cms chromogenic print faced in UV matt film
'snug' frame in hand felled pine
provenance - direct from the artists studio
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Veiled skull with flowers
Edition No II of III.
40 x 30 cms chromogenic print
'snug' frame in American walnut
provenance - direct from the artists studio
exhibitted 2012 at ‘A beautiful announcement of death’, Pertwee Anderson & Gold Gallery, London.
NB... THE BELOW IMAGES ARE ONLY VISIBLE TO AUTHENTICATED ARTWORK NFC TAG SCANS
security image of signature, notes & date on provenance document
security image of initialled NFC TAG on provenance document
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'Grace' underwater Vanitas
Edition II - 59.4 x 42 cms
provenance - sold direct from the artists studio
02/2018 Book published Vernon 'Animae' ISBN 978-1-62273-384-2
09/2017 'Contemporary Still Life' Guildhall Museum, London
10/2013 Book Thames & Hudson 'Natre Morte' ISBN10 0500239061
10/2011 'The House Of The Nobleman', London. 06/2011 ‘Still Even’ Pertwee Anderson & Gold Gallery, London
exhibitted 2012 at ‘A beautiful announcement of death’, Pertwee Anderson & Gold Gallery, London
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security image of initialled NFC TAG on provenance document
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‘Untitled 5-2824’ dated 2012
from 'Glass' 2011-Ongoing
80 x 80 cms archival print on cotton paper
mounted to black aluminium DiBond (AuthenticPhoto.com)
Artist UV Pearl Varnish to print face
Artist made soft wood 'Shou Sugi Ban' frame - dated November 2023
artist notes... In this body of work I explore and develop a process that removes the pigment from the capillaries of flower petals, replacing the pigment with highly purified water leaving behind only the skeletal fibres and structural veins visible. I believe it takes more courage to paint a simple landscape or that of a flower than it does to hang a side of beef in a gallery in some PR spectacle. This act of bravery is evident by the presentation of such an instantly recognisable subject, and then to present it in an entirely new way. Originality is paramount even with something as instantly recognisable as a rose.
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Vitreous Love
Edition No 6 of 10
60 x 60 cms dated 2012.
Artist framed in black cotton velvet & mahogany 89 x 89 x 4.5 cms
provenance - direct from the artists studio with encryted NFC tag
exhibitted 2012 at ‘A beautiful announcement of death’, Pertwee Anderson & Gold Gallery, London.
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security image of artwork front profile
ecurity image of signature & NFC TAG
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Vitreous Love
Edition No 7 of 10
60 x 60 cms dated 2012.
Artist framed in black cotton velvet & mahogany 89 x 89 x 4.5 cms
provenance - direct from the artists studio with encryted NFC tag
exhibitted 2012 at ‘A beautiful announcement of death’, Pertwee Anderson & Gold Gallery, London.
NB... THE BELOW IMAGES ARE ONLY VISIBLE TO AUTHENTICATED ARTWORK NFC TAG SCANS
security image of artwork front profile
security image of signature & NFC TAG
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